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Quentin Dupieux's New Film 'Full Phil' Stars Kristen Stewart and Woody Harrelson

Entertainment5/18/2026
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French filmmaker Quentin Dupieux has written, shot, edited, and directed a new film titled 'Full Phil'. The movie stars Kristen Stewart and Woody Harrelson as a daughter and father on a Paris vacation to mend their relationship. The film includes a black-and-white horror framing device featuring the comedy team Tim & Eric.

Facts First

  • Quentin Dupieux wrote, shot, edited, and directed the new film 'Full Phil'
  • Stars Kristen Stewart and Woody Harrelson as a daughter and father on a relationship-mending Paris vacation
  • Features a black-and-white horror framing device with Tim Heidecker and Eric Wareheim as mad scientists
  • Most of the action is set in a beige Paris hotel suite and a fancy restaurant
  • Charlotte Le Bon plays Lucie, a hotel worker who visits the suite

What Happened

Quentin Dupieux, the French filmmaker behind 'Rubber' and 'Deerskin', has completed a new film titled 'Full Phil'. He wrote, shot, edited, and directed the project. The film stars Kristen Stewart and Woody Harrelson as Madeleine and her father, Philip Doom. The plot involves the pair on vacation in Paris to mend their relationship. The film includes a recurring visual element where Madeleine is constantly eating various foods, and Philip's stomach expands in relation to her eating. A separate, black-and-white framing device features Tim & Eric as mad scientists who resurrect a 'dino-fish monster'.

Why this Matters to You

If you are a fan of quirky, genre-bending cinema, this film may offer a unique viewing experience from a director known for unconventional premises. The casting of major stars like Kristen Stewart and Woody Harrelson in a project by an auteur director suggests a blend of mainstream appeal and artistic vision.

What's Next

The film's completion means it is likely to be scheduled for release at film festivals or in theaters, where audiences will get to see Dupieux's latest surreal narrative.

Perspectives

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Film Critics characterize Quentin Dupieux as a 'dada prankster' whose work consists of 'knowingly arch bizarro-world riffs' and 'italicized screw-loose satire' that can be 'halfway funny, halfway off-putting'.
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Cinematic Analysts suggest that 'Full Phil' may serve as a crossover vehicle for Dupieux due to the presence of American stars, even if the film is considered 'middle-drawer mishegas' compared to his previous works.
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Thematic Scholars interpret the film's characters as allegorical figures representing generational power struggles and social scrutiny, though they note the director avoids a didactic approach in favor of a 'spectacle of chortling farce'.
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Structural Critics find the film's horror framing device to be 'utterly unhinged' and express confusion regarding its specific allegorical purpose.
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A Skeptic argues that comparing the film to Buñuel is 'a bit of a lofty comparison' because the movie functions primarily as a 'broad comic hate-fest'.