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Indonesian-Australian Producer Intan Kieflie Launches Horror Slate at Cannes Film Market

EntertainmentBusiness5/13/2026
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Producer Intan Kieflie will present a slate of horror projects, including the bilingual maternal horror film 'Ibu: Mother of the Lost', at the Cannes Film Market. The slate targets international buyers across multiple regions for co-production and investment. Kieflie's companies, Kraken Entertainment and Anak Negeri Films, are presenting three projects, including one ready for release.

Facts First

  • Intan Kieflie will present a horror genre slate at Cannes Film Market through Kraken Entertainment and Anak Negeri Films.
  • The slate includes the market launch of 'Ibu: Mother of the Lost', a bilingual maternal horror film in pre-production.
  • The cast for 'Ibu' includes Yayan Ruhian, Christine Hakim, Alexander Wraith, and Kieflie.
  • Two other horror films are also part of the presentation: the completed 'Sukma' and the ready-to-release 'Ritual Gaib: Nyai Randasura'.
  • The Cannes slate targets buyers in North America, Europe, U.K./Ireland, Australia/New Zealand, Southeast Asia, Middle East and North Africa, Latin America, and Russia/CIS.

What Happened

Indonesian-Australian producer Intan Kieflie will present a slate of horror projects at the Cannes Film Market through her companies Kraken Entertainment and Anak Negeri Films. The presentation is structured around three pillars: the completed supernatural horror film 'Sukma', the ready-to-release ritual horror 'Ritual Gaib: Nyai Randasura', and the market launch of 'Ibu: Mother of the Lost'. 'Ibu' is a bilingual maternal horror project currently in pre-production, starring Yayan Ruhian, Christine Hakim, Alexander Wraith, and Intan Kieflie. Kieflie operates between Jakarta and Melbourne and has over 15 years of experience in the Indonesian and Australian screen industries.

Why this Matters to You

If you are a fan of international horror cinema, you may soon have access to new films blending Indonesian and Western storytelling. The slate's focus on securing international partners could lead to these projects reaching a wider audience. The bilingual development of 'Ibu' suggests a film that could appeal to viewers in both English and Bahasa Indonesia-speaking markets.

What's Next

The 'Ibu' project is being presented at Cannes for co-production, investment, strategic partners, and pre-sale. Kieflie's slate targets buyers across North America, Europe, the U.K., Australia, Southeast Asia, and other regions. The presentation may lead to securing the necessary partnerships to advance 'Ibu' into production and to distribute the other completed films.

Perspectives

“
Industry Visionaries argue that the goal is to build sustainable pathways for Indonesian cinema rather than just selling individual films, aiming to reduce reliance on overseas intermediaries through direct international access.
“
Content Strategists maintain that while Indonesia possesses rich, diverse stories rooted in local rituals and emotional truths, success in the global market requires sophisticated packaging, strategic positioning, and respect for cultural origins.
“
Genre Filmmakers advocate for a narrative approach in horror that prioritizes emotional depth, suggesting that a film should 'break your heart first' before allowing the horror to emerge from that emotional wound.