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Director Nicolas Bary Announces Futuristic Thriller 'Increase' with Paralympics Plot

Entertainment6d ago
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Nicolas Bary, director of 'Trouble at Timpetill', is directing a new English-language futuristic thriller titled 'Increase'. The film follows a professional runner who, after a catastrophic accident, uses advanced brain-connected prosthetics to become a Paralympic athlete. Shooting is scheduled to begin in Canada in 2027.

Facts First

  • Director Nicolas Bary is helming a futuristic thriller titled 'Increase', scheduled to shoot in Canada in 2027.
  • Matilda Lutz stars as Genie, a professional runner who loses both legs and uses advanced prosthetics to become a Paralympic athlete.
  • The film's plot involves suspicions about whether Genie's amputation was an accident or a deliberate choice.
  • Production includes a Paralympic champion as consultant and is co-produced by companies in Canada and Belgium.
  • The screenplay blends psychological thriller, transhumanist themes, and body horror influences.

What Happened

Nicolas Bary is directing a new English-language futuristic thriller titled 'Increase'. The cast includes Matilda Lutz, Suzanne Clément, Holt McCallany, and Fernanda Urrejola. The film is scheduled to shoot in Canada in 2027. The screenplay was written by Sheila Erdmann, Mary Noelle Dana, and Nicolas Bary.

Why this Matters to You

If you are a fan of science fiction or psychological thrillers, you may have a new, ambitious film to anticipate. The project's focus on transhumanist themes and advanced prosthetics could bring a unique perspective on technology and human performance to mainstream cinema. The involvement of a real Paralympic champion as a consultant suggests the film aims for authenticity in its portrayal of athleticism and disability.

What's Next

The production team is likely to begin detailed preparations for the 2027 shoot in Canada. Further casting announcements or details about the film's visual style, influenced by cinematographer Axel Cosnefroy and composer Nicolas Tescari, could emerge as the project develops.

Perspectives

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The Filmmaker explains that the project explores how the pursuit of peak performance can devolve into obsession, driven by anxieties over humanity's growing dependence on digital tools and artificial intelligence.
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The Filmmaker argues that modern technologies like GPS and Instagram cause humans to lose touch with their essential ability to acknowledge limits, imperfections, and fragility.
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The Filmmaker identifies transhumanist ideology as the core desire to escape the flesh to overcome suffering, sickness, and death.
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The Filmmaker describes the film's aesthetic as 'Cronenbergian' through its focus on body transformation, utilizing a 'cold, clear-cut and clinical' style for the present day contrasted with 'warmer, freer and more tender' flashbacks.